-/+ energy

Work in progress experimenting with ideas for some new video pieces that will develop from my collaboration with the high altitude balloon student society at Imperial College London and participation in the Continuum residency at Allenheads Contemporary Arts.

We will be attempting to launch a cloud chamber into space and film the outcome. 

It will be interesting to see how much cosmic ray activity we can record at high altitude. This is where protons emitted from the sun or distant galaxies crash into the Earth’s atmosphere and break apart.

There may be other methods of recording we can try such as stacked layers of very thin plastic sheet which are ionised as the particle passes through and can later be etched to show the resulting track.

On Earth we are also protected from cosmic rays (which are high energy radiation) by the Earth’s magnetic field which is caused by the spinning molten iron core setting up convection currents in a geodynamo process.

I am exploring magnetism and its powers. To be drawn to some powerful source. To fall into a black hole. I am trying ideas of a portal that offers transformation. This is also about returning to Allenheads, being drawn back. A black hole transforms matter, a wormhole deals with exotic matter.

Theoretically, to pass through a wormhole you need negative energy.

‘Negative energy is a concept used in physics to explain the nature of certain fields, including the gravitational field and various quantum field effects. In more speculative theories, negative energy is involved in wormholes which may allow for time travel and warp drives for faster-than-light space travel.’

So a portal that transports or transforms you (matter) could channel any ‘negative energy’ present and this could be dissipated by using black tourmaline which is supposed to clear negative energy. This could be the fuel to ignite the process.

I have a obtained a small two way mirror to test for the portal interface so the viewer can witness their own transformation.

This could involve the vital fluids of Animal Magnetism or suggestion therapy of Mesmerism/ Hypnotism.

Magnetoreception is the detection of a magnetic field by an organism. We have a protein (a crytochrome) in the human eye which could serve this function of navigation.

How can we be equipped for physical or subconscious navigation/transformation?

I will be looking at tracking the electromagnetic field, sending messages and reading codes for new work to be made responding to this years incredible communications double anniversary, for Lizard Lighthouse (400 years) and Goonhilly Earth Station (50 years: transmission of the first lunar landings). I am excited to have been offered a place on the Lizard Point Residency run in partnership with Mayes Creative, Lumen London and the National Trust.  We will be visiting wireless and semaphore stations along the Lizard coastal path, considering the Scilly Isles 30 miles out to sea and the important prehistoric menhirs offering ‘beacons’ for travel & procession across the land.

I have a lovely frosted glass Fresnel lens (as used in lighthouses) to experiment with.

With the prospect of using more technology in my work I spent an intense weekend with Aphra Shemza and Jamie Howard at Ugly Duck learning a quick guide to interactive light art. Had a chance to program an Arduino, solder it to a PCB and connect up individually programmable LED’s to respond to sound with variable colour and brightness. Also first time soldering which was very satisfying.

Not sure how I will cope when I start my own project but at least I know what an Arduino looks like now and some of its possibilities. Also it’s good to know Aphra and Jamie do offer support consultation.

I followed this up joining a Flux event hosted by Maria Almena, Oliver Gingrich and Aphra Shemza at The Library where a diverse mix of artists, musicians and various tech geeks from the creative media arts community come together monthly to network and share crits.  Was fun and welcoming.

Out of the Studio..

The Alicja Kwade installation in Space Shifters at Hayward Gallery was clever

and of course I liked Helen Pashgian’s resin spheres

I do like shiny things and reflective surfaces but this show was overload and works became just that – light entertainment.

Pierre Huyghe Uumwelt at The Serpentine Gallery was not so light and felt a bit like being stranded under medication in some apocalyptic lost outpost trying to make sense of incoherent images morphing into something almost but not quite recognisable.

The walls were sanded to reveal layers like the dissections of the brain that was scanned to produce the data used to try and build an image from the electrical impulses.

The dust filled the air, purposefully bred flies swarmed in vain to escape leaving little corpses on the floor.

Francis Upritchard Wetwang Slack at the Barbican Curve. Gorgeous glazes and uncanny mystics.

Left unsure if this was archaeology or evolution.

Attended the talks accompanying In the Dark curated by Genetic Moo, a London Group event at The Cello Factory.

Talks by Nick Lambert and Sean Clark from the Computer Arts Society who are celebrating their 50th year anniversary this year, and Jack Addis from the Lumen Prize. Artists discussed their practices and Tim Pickup and Nicola Schauerman from Genetic Moo talked about the challenges of working in the dark when overspill of light from other peoples work reduces the impact of all works.

Tim was wishing for a bulb that emits darkness. I remember Cham telling us about the photomultiplier tubes in the dark matter detector at Boulby Underground Laboratory which he said were in effect reverse lightbulbs, in that they absorb photons rather than emit them.

Made use of a free ticket to London Art Fair, Brockett Gallery had managed to shake of the fair vibe in their installation and I was glad to discover the 1974 film Space Is The Place in the Art Projects Screening Room.

Presumed lost in space Sun Ra returns to do battle, outwit the white NASA scientists and transport the black race to a new planet in outer space.

Also good to see Thom Bridge’s intriguing self portrait of himself and his twin Theo One Ear Both Eyes which was a requirement of their visa application photograph. Shown so you can’t see both portraits at the same time unlike below. Which is Thom?

Thoughtful and prescient video based work looking at natural selection/personal choice from David Blandy and Larry Achiampong in Genetic Automata at Arts Catalyst. What colour skin would you choose? How far back do we reach for our identity? What can I claim as my own? Net migration google map was fascinating to watch.

Where are those phrenology bumps developing on our contemporary skulls?

Falling Stars/Stelle Cadenti exhibition at The Crypt Gallery was a display of work created in response to last years Lumen Atina Residency where the group experiences local astronomical sights and dark skies.

Of Stars & Chasms at ArtHouse1 showing stellar work from Julie F. Hill bringing the astronomical sublime to a bodily encounter.