Relative

Nothing truly exists – except in relation to other things. Carlo Rovelli

Work in progress.

Building the azimuth obelisk made from layered re-cycled paper. This sculpture is a response to the concrete obelisk erected in 1955 at Hartland Magnetic Observatory as a permanent azimuth mark from which to measure the drift of Earth’s magnetic field. Deep time geology holds the sedimentary knowledge of magnetic activity, from the degrees of variation between the magnetic and geographic north pole to the cataclysmic impact of pole reversals.

Etching Directional Magnetic Steel to reveal the jigsaw pattern which comes from rolling single crystals of an iron silicon alloy into thin sheets to minimise magnetic losses for use in industry.

The copper sulphate etching process creates a very thin, fragile layer of shiny copper under the red residue

Magnetism embodies magical qualities which have fascinated humans since the first encounter with a lodestone. These rare and enigmatic fragments found scattered across the surface of the Earth are created when lightning chances to strike the mineral magnetite.

The Lodestone, from Plato to Kircher by D. W. Emerson lists various historical references to the lodestone. The writer concludes – Lodestone, being very unusual, greatly impressed previous generations. Despite its unattractive appearance it was an admired mineral type more precious than pearls, it was celebrated in persuasive Latin hexameters, it was an analogue for the power of deities, it took a witch to subdue it, it was deemed explicable by Epicurean atomic theory, it was involved in a rather tenuous argument for eternal punishment of wicked persons, it meant doom for unwary mariners, it furnished fodder for folk lore, it resided in the arsenal of the apothecary, it helped to demonstrate the earth’s magnetism, and it assisted navigation. What other mineral has such a record? The lodestone was quite a remarkable rock; it still is, and oddly, yet to be completely studied and documented.

Pliny the Elder (AD 23/24 – 79) :

What is more amazing (than this stone) or at least where
has nature shown greater devilry? She gave rocks a voice
answering, or rather answering back, to man. What is more
indolent than the inert character of stone? Yet nature has
endowed it with awareness and hooking hands. What is
more unyielding than the harshness of iron? On it nature
has bestowed feet and a mode of behaviour. For it is drawn
by the lodestone, and the all-subduing substance hastens to
something like a vacuum, and on its approach it leaps
towards the stone, is held and kept there by its embrace.

Claudius Claudianus (AD fl. 395):

There exists a stone called lodestone; discoloured, dingy,
nondescript. It does not lend distinction to the combed
locks of kings, nor to the fair necks of girls, nor does it
gleam on the showy clasps of sword belts. But in fact if
you pay due regard to the strange marvels of this dark rock
then it outshines elegant adornments and anything, on far
eastern shores, that the Indian looks for in the weed of the
Red Sea (i.e. pearls).

Augustine of Hippo (AD 354-430):

We recognise in the lodestone an extraordinary ability to
seize iron; I was much perturbed when I first saw it. The
reason is that I clearly saw an iron ring grabbed and held
up by the stone. … Who would not be amazed at this power
of the stone?

Generating a magnetic field.

The dynamo theory states that to generate a magnetic field, a body must rotate and have a fluid core with an internal energy supply that is able to conduct electricity and drive convection.  Earth fulfils all of these requirements. It rotates faster at the Equator than it does at the poles causing spiral convection currents in the liquid iron outer core which is an excellent electrical conductor, powered by the energy released as droplets of liquid iron in the outer core freeze onto the solid inner core.

Any variations in rotation, conductivity, and heat impact the magnetic field created.

Mars has a weak magnetic field as it has a totally solid core. Venus also has a weak magnetic field for although it has a liquid core it rotates too slowly to create convection currents.  Jupiter has the strongest magnetic field in the solar system, with a metallic liquid hydrogen core and fast rotation, it has a magnetosphere so large it begins to deflect the solar wind almost 3 million kilometres from its surface.

Highlights from a trip to Japan which offered many poetic and spiritual experiences.

Active sulphur vents of the North South Hakone volcano arc boundary dividing Japan into East and West….also used to cook eggs. The beautiful markings on the eggshell were gone the next day.

As Tristan Gooley says in The Natural Navigator, ‘There is a commonly held belief that “Moss grows on the north side of trees and buildings.” It does, sometimes, but will also grow on every other side. However, lots of satisfyingly north facing moss growth on the trees in this Tokyo park.

Moss tending in the rain, some splendid moss in the gardens of Kanazawa.

Inspiration for an absolute hut. The “Gassho-zukuri Village”, a World Heritage Site set in stunning mountain scenery, has more than 100 gassho-zukuri thatched rural buildings with wonderful steep pitched A-frame roofs.

To Discover the Meaning of Being Born as Human Beings. Higashi Honganji Temple

Moss heaven.

To visit Saihoji Kakedora Temple (the Moss Temple), you must send a postcard by mail to request a visit. On arrival, you spend time in the temple at a low table quietly copying sutras with a calligraphy pen to calm the mind before entering the garden.

The garden is built around the Ogonchi Pond shaped like the Chinese character, meaning heart and blanketed in over 120 species of moss.

master of persimmons

treetops are close to

Stormy Mountain

The poem stone tells the story of Kayori who had 40 persimmon trees in the garden laden with fruit which he intended to sell, but the night before they were to be picked a huge storm arose and in the morning not one persimmon was left on the trees. Kyorai was enlightened by this experience and called the hut Rakushisha – the cottage of the fallen persimmon.

Many famous haiku poets, disciples of Basho and including Basho himself, stayed here.

Home of the cloud dragon. Zen garden at Tenryu-Ji Temple, Kyoto.

The tour through the womb of the Zuigu-bosatsu. The darkness of the journey through the womb was absolute. The stone floor ice cold on bare feet. Rosary beads the size of grapefruits led a winding path to the softly lit zuigu stone and on to the light to be reborn. Kiyomizu Temple, Kyoto

Kaname-ishi, keystone at Seikanji Temple, overlooking the city of Kyoto, spread like a fan before it, is believed to grant wishes if touched.

Rivers in the sky. Theories about crown shyness range from being caused by friction as new shoots are eroded in a windy forest to sensing the shadow or warmth of a neighbour.

Binzuru (Pindola Bharadvaja) was one of the sixteen arahats and is said to have excelled in the mastery of occult powers.

In Japanese mythology, the god of thunder arrived in Nara riding a white deer. The deer have lived here for centuries and are revered as emissaries of the gods of the Kasugataisha Shrine.

They have learnt to bow to be rewarded with special deer biscuits, which you can buy to feed them.

Discovering the works of Rafael Lozano-Hemmer, a Mexican media artist exhibiting internationally with a background in physical chemistry who creates large scale interactive work exploring and exploiting human interaction with technology to create an impressive catalogue of works from tethering a blazing sun to a face briefly echoed in a wisp of cloud. I was drawn to his work Atmospheric Memory inspired by Charles Babbage’s philosophy.

Whilst the atmosphere we breathe is the ever-living witness of the sentiments we have uttered, the waters, and the more solid materials of the globe, bear equally enduring testimony of the acts we have committed. Charles Babbage

Gallery Visits

Undertow at Unit 1 Gallery a group show with a subtle and astute use of material, quietly smoldering with agency.

Artists: Alex Simpson, Alison Rees, Isobel Church, Lauren Ilsley, Nicholas Middleton, Sarah Wishart and Tana West.

‘Hope locates itself in the premises that we don’t know what will happen and that in the spaciousness of uncertainty is room to act.’ – Rebecca Solnit, Hope in the Dark, 2004/2016

Michael Taylor The Last Man at Standpoint Gallery. I really loved this luminous body of work.

Richard Slee Sunlit Uplands at Hales Gallery was a wonderful conveyor belt parade of glistening mini utopias.

“We can see no detail, we can see nothing definable and it is, I know, simply the sanguine necessity of our minds that makes us believe those uplands of the future are still more gracious and splendid than we can either hope or imagine.” 

The Discovery of the Future, H.G. Wells 1902

The quote “sunlit uplands” has been used as political ideology, as an assurance for better days to come most recently the phrase has been linked to the promises of Brexit, with politicians leaning on this rallying rhetoric.

George Henry Longly Microgravities at Nicoletti. I found the slick production values, very shiny like outsize circuit boards of these works exposing sci-fi cliché and subverting popular space movie tropes sat very close to the ideas they are parodying. Microgravity – ‘the condition in which people or objects appear to be weightless’, according to NASA’s website – is responsible for metabolic and behavioural changes for space travelers. Some interesting theory behind this show about the human cost of living in space as our gut microbiome reacts to a weightless environment. I liked the reflection cast on the floor from the mirrored circle left exposed as a planet on the widescreen landscape.

On Failure group show at Soft Opening with Olivia Erlanger, Cash Frances, Jordan/Martin Hell, Kelsey Isaacs, Maren Karlson, Sam Lipp, Chris Lloyd and Narumi Nekpenekpen. While certain works function as indexes of failed attempts at control, others recognise the perceived failure of the human body, positing that from a spiritual perspective: if perfection is nonexistent, then failure is all we have, all that is real. One or two of the hanging pieces are reminiscent of the votive offerings at holy wells or the love lock bridges festooned with padlocks.

Bridget Smith Field Recordings at Frith Street Gallery. Natural material processes, simply presented. The weathering of bulrushes, the materiality of analogue photographic techniques such as ambrotypes and tintypes, the simplicity of a moon rising over the sea.

Daniel Shanken The Cascades at Stanley Picker Gallery. I was excited to see this show as the randomness within the work is derived from radioactive decay and I thought the title may refer to cascades of comic particles but perhaps it refers to cascades of data. The aesthetic was very game based and the randomness not explicit in origin. I liked the set up though with the projection onto the floor creating an abyss to gaze down into from an industrial style walkway.

David Blandy Atomic Light at John Hansard Gallery Southampton. Four films circumnavigating the fallout from the atomic bomb massacre at Hiroshima. The body of work is inspired by a family history, a grandfather, a prisoner of war in Singapore – held by the Japanese but felt himself saved by the detonation at Hiroshima. The golden hour light is so perfectly captured and reflected in The Edge of Forever which gives voice to the children, accusing, watchful and alone. This was filmed by his partner and features his own children. Soil, Sinew and Bone is a collaged documentary of archival material, mirrored so that the central area of the film takes on the shape of an a atomic bomb. In Sunspot two scientists, one in Japan, one at Mount Wilson Observatory are monitoring the activity of sunspots, the flares that can erupt and disrupt radio signals as the particle filled solar wind and magnetic turbulence blasts across the magnetosphere. The film Empire of the Swamp has a wonderful rich narration embodied in the voice of an ancient crocodile who remembers the mangrove swamps before the war and the arrival of the white man.

I enjoyed the Art Fictions podcast with guest Jennifer Higgie discussing her writing practice via the 2009 novel Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk. I was then lucky to see Complicitie’s excellent interpretation of this novel on stage at the Barbican directed by Simon McBurney.

‘this is a tale about the cosmos, poetry, and the limitations and possibilities of activism.‘

Complicitie’s production employed the same blinding flash technique as Alfredo Jaar used in his work The Sound of Silence which I saw in 2006 and still remember vividly. Sitting in a dark space a story of one photograph, taken in Sudan 1993, is told in simple sentences on a large black screen. The photograph is shown momentarily before a blinding flash of light scores the retina. You are left blinking in the afterglow. The image won a Pulitzer Prize, but the South African photographer Kevin Carter committed suicide at 33 after struggling to come to terms with what he witnessed, and the public response for not having intervened to save the child’s life. In the novel Drive Your Plow Over the Bones of the Dead, Janina, the eccentric ‘older woman’ does not hold back from intervening when she sees injustice to any living thing. She is also vilified, but for showing compassion for the animals.

I also dredged up the memory of having seen the film Spoor at the 2017 BFI LLF also based on this novel. Finally I have bought a copy of the novel. A circuitous route to the original text.

I am very much enjoying reading Rebecca Solnit A Field Guide to Getting Lost. Her writing is like a torchlight illuminating one idea after another, sweeping across a multitude of topics with an infectious energy to explore and experience the unknown.

How will you go about finding that thing, the nature of which is totally unknown to you? – Meno