Lode – a way or path, a watercourse, a vein of metallic ore.
A lodestone is a naturally occurring magnet possibly created by a lightning strike. Early compasses were made of lodestone suspended on a cord.
Magnetite is a common mineral that has an attraction to a magnet but is not magnetic in itself.
The image shows magnetite, sold on eBay as a Lodestone though at £2 what did I expect.
Fluid activity hidden deep in the Earth’s interior can be visualised through plotting the magnetic field and its fluctuations.
The geomagnetic field, generated by the Earth’s molten core, varies through time; the magnetic poles migrate, go on excursions or reverse polarity. During these periods of flux the strength of the magnetic field changes and this phenomenon is recorded in archaeological artifacts, volcanic rocks, and sediments. The mineral deposits of stalactites store a paleomagnetic history of declination (the deviation of magnetic from geographic north).
Thinking about how magnetic pole reversals are stored in geology. I am modelling some paper clay rocks for future filming visualising the magnetic field using iron filings.
Early navigators using the compass around the 15th century became aware that geomagnetic north would roam position. In 1701 the first map charting the magnetic field declination was produced by British astronomer Edmund Halley.
In the 19th century the study of geomagnetism became one of many passions for explorer polymath Alexander von Humboldt who studied
“what keeps the innermost of the world together, how all is woven together”
and was the first to connect climate with interactions between atmosphere, oceans, land and plant ecology. From meticulous observations he noticed the Earth’s magnetic field intensity increases from the equator to the pole, and that it was also influenced by auroras and solar activity causing magnetic storms.
Magnetic observatories to monitor the Earth’s magnetic field were set up around the globe including one at Greenwich which had to relocate twice due to infrastructure interference (electric railways) and is now based in Devon with a permanent azimuth mark on a concrete obelisk viewed from the north window of the Absolute Hut. I wonder if it is possible to visit.
Magnetotactic bacteria align themselves with the Earth’s magnetic field to navigate using nanoparticles of magnetite crystals covered in biological material called magnetosomes. Each nanoparticle is about 100,000 times smaller than a grain of rice. They are mostly found in water and sediment with little or no oxygen. It has been found that magnetosomes can be biodegraded (dissolved) in human stem cells losing magnetism at first but then reforming into human cells with magnetic sensitive qualities.
There is a daily variation in the magnetosphere caused by sunlight hitting the ionosphere, a layer of the atmosphere about 1000km up. The electrical conductivity of this layer is affected by the solar wind which pressures and squashes the field on the sunlit side while creating a magnetotail pluming from the dark side of the Earth.
Capturing garden activity through the solar cycle with a spycam.
The rotation of the Earth around its axis results in a molecular clock evolved by organisms in alignment with the solar cycle. The Earth’s magnetic field can influence animals’ circadian clocks, through the photoreceptor cryptochrome, which is activated by blue light.
I have recently acquired a drone and have been for a couple of practice flights in Richmond Park’s designated area taking along a few pentagon mirrors. Excited by the possibilities.
Up at 5am to see the tiny points of light that are Venus and Jupiter approaching their conjunction which they performed the following morning hidden by clouds
Research trip to RSPB Snettisham in North Norfolk to see the Whirling Wader Spectacle. The high spring tides push the birds from their feeding grounds on the mudflats of The Wash onto the lagoons of the reserve. The spectacle occurs when the tide is super high during daylight hours in early spring or late autumn when the birds are migrating to and from this site. It is surprising how fast the tide comes in. On arrival in the early evening the sea is a distant strip of light.
Suddenly the gullies are filling and the first murmurations of knots are forming low over the incoming water. The speed of the birds is extraordinary. I was totally ill equipped to capture the spectacle on video.
Fascinating research discussed in the webinar Scientific American live: Bird Migration and Song featuring Professor of Chemistry University of Oxford, Peter Hore, an expert on magnetoreception.
Radicals are molecules that contain an odd number of electrons and are therefore unstable. For most molecules the electrons are paired which cancels out the magnetic force. Birds use three different compasses to navigate across the globe; the sun, the stars and the magnetic field. The Artic tern makes the longest migratory journey, a staggering 25,000 miles.
The theory that birds may use the Earth’s magnetic field to navigate began in the middle of the 19th century, but experiments in Germany with European Robins in the 1960s were the first to prove the connection. The Earth’s magnetic field is extremely weak so the mechanism that can detect this weak force must be very sensitive. Because free radicals are very unstable it doesn’t take much energy to have big effects. The particular cryptochrome molecule used is found in the retina of the eye with the photoreceptor cells. Blue light shined onto Cryptochrome 4 produces radical pairs which are sensitive to the magnetic field. It is excited by blue light but does not respond to red light. The molecules work like a pendant compass, distinguishing the direction of the magnetic field towards pole or equator. This feature arises from the spin direction of the free radical pairs. Both radicals may spin in the same direction or one may spin one way and the other the opposite. There is a lot of processing in the eye before a signal is sent to the brain to act upon.
It is possible birds form a visual perception of the magnetic field. The cone cells in the eye are used by day but may be taken over at night for navigation as this is when birds migrate. Light pollution and electromagnetic noise pollution such as AM radio masts can cause disorientation.
I still have questions about how the birds know where to head for. They may have a map but they still need a destination.
Stunning North Norfolk coastline. It’s so flat here that cliffs are unexpected. Hunstanton Beach was once under a tropical sea 108 million years ago when sea levels were 200m higher. Somewhere in these strata evidence of magnetic pole reversals will be stored.
So much to explore at the National Physical Laboratory Open Day but my favourite room was Magnetic Materials and Sensors. They don’t allow any photography so I can’t share some of the amazing experiments I saw but I have been able to recreate my favourite as it was also the simplest; a magnet dropped into a copper pipe creates an electric current as it falls which gently slows its progress through the tube. So cool. I will be filming this.
Experiments with lenses. It’s often the way that having spent time on a proposal that doesn’t get accepted those ideas do not get wasted but ultimately feed into new work.
Testing ‘The Forms’ as a floor piece.
The immutable truths Plato discovered in geometry belong to the realm of abstract thought and ideals he called The Forms. Twelve pentagons form a dodecahedron which Plato defined as ‘a fifth construction, which the god used for embroidering the constellations on the whole heaven.’ Today it is dark matter that science believes holds the stars in the heavens. In visualisations of dark matter created from cosmological data we see familiar organic patterns emerge; the fronds of dark matter spanning between galaxies could be the spreading branches of trees or the veins under our skin.
Thanks to KIPAC Stanford University for the data visualisations.
Enjoyed a one day 3D Geometry class with Leila Dear at the Princes School of Traditional Arts. I gained so much from the RCA exchange week here that fed into my work for the past several years that I thought a refresher would be useful – and that was before I knew we would be making geometric bubbles. Irresistible.
Out of Studio
Reflections at Workplace Gallery
Sculpture by women artists Nicola Ellis, Hsi-Nong Huang, Patricia Ayres and Olivia Bax.
All works offer up a satisfying conjunction of materiality and form but especially loving Nicola’s ‘Quite a Structure’ which is like a slice of the Earth’s molten core.
HEAVEN NEITHER BURNING FARTHER at The Crypt, St. John on Bethnal Green
Erika Blumenfeld writes “The material comprising our bodies shares cosmic origins with the material comprising the planets, asteroids and comets in our solar system. Scientifically, this material, having derived from distant stars across time, threads back to the primordial material that emerged moments after our universe burst into being. Culturally, our star gazing has filled us with wonder across all civilizations, sparking art and architecture, philosophy and science, mythology, folklore as well as navigation and place-making”.
Visual journeys have been created using the archive, modern science, performative poetry, scanned glacier-ice sent by image transmission, laser-based mapping originally sourced from the Rosetta space mission, the use of historic adaptations, the layering of earthly minerals, and a hunt for asteroid fragments. Held in a crypt under-ground the exhibition takes a poignant look at the myth and science that surround comets, which in theory brought life to Earth but could also end it.
Artists: Julie F Hill, Leah Beeferman, Barry Stone, Pedro Torres, Fryd Frydendahl, Ports Bishop, Claudio Pogo & Magdalena Wysocka Curated by Lucy Helton
Fascinating and beautiful work in this subterranean gateway to the cosmos which rewards following up each artist’s research.
POST TOTEM at OHSH Projects pop up on Oxford Street, curated by Adam Dix and Dale Adcock.
I found the concept of this exhibition very appealing. Reaching back to what connects us. Some innate sense of the sacred.
‘Imagine an artist holding the metaphorical hand of an artist from the previous generation and that artist, doing the same, and so on, back through time, back 30 to 40 thousand years into the unimaginably distant past, when we made the great cave paintings of Lascaux and Maros-Pangkep karst. This imaginative exercise creates an image of an unbroken woven human connection, stretching back through time uniting, individuals into a group, linked by imagination, action and materials.’
Artists showing: Dale Adcock, Simon Burton, Adam Dix, Tim Ellis, Lisa Ivory, Simon Burton, Rachel Howard, Henry Hussey, Dean Melbourne, Yelena Popova, Chantal Powell, Joanna Rajkowska, Alexis Soul Gray, Suzanne Treister.
Seth Price – Art Is Not Human at Sadie Coles
An interesting entanglement of hand and digital process. Raw paintings are photographed and imported to a 3D digital space of geometric shapes, tubes and directional lighting. The effects are then exported and printed onto the original painting.
Melanie Manchot Alpine Diskomiks at Parafin.
Questioning the mediation of the mountain experience. A mountain skyline created from album covers and soundscape from the combined mix of recorded content. Imagine a steady build of music to accompany the climb to a dramatic mountain peak and the overwhelming crescendo as you reach that majestic summit of the sublime. Downstairs choreographed snowploughs score grooves in looping folkdance sequence.
This painting by Luchita Hurtado at Hauser and Wirth made me think of the practical demonstration by Brian Cox showing that in a vacuum a feather and a rock (bowling ball) would fall at the same speed.
“The reason the bowling ball and the feather fall together is because they’re not falling. They are standing still. There is no force acting on them at all.”
“(Einstein) reasoned that if you couldn’t see the background, there would be no way of knowing that the ball and the feathers were accelerating toward the Earth.”
Larry Bell at Hauser and Wirth
‘Although we tend to think of glass as a window, it is a solid liquid that has at once three distinctive qualities: it reflects light, it absorbs light, and it transmits light all at the same time.’ Larry Bell
Everything is Made of Light at Bermondsey Project Space. The artists refer to Jacques Rancière, in his essay, Are Some Things Unrepresentable?, who scrutinizes the challenges faced by images in depicting the world around us.
Mark Kasumovic tackles the problem of trying to represent the invisible through a juxtaposition of images of spaces of discovery and text listing scientific non sequiturs. Mary O’Neill presents us with a world of fragments from which personal narratives must be assembled. Isabella Streffen’s work explores perception and the spaces between digital and emotional communication. Matthew Pell stretches time through capturing light in otherwise transient momentary events.
I felt very in tune with intent of the work here. Particularly Mark Kasumovic’s texts that felt like a snapshot of a research artist’s notebook. All those tantalising lines of enquiry. I liked the premise from Mary O’Neill of the introduction of creatures from the mundanity of an overlooked life, that when situated in a new context, conceive paradise.
Marcus Cope Silver Linings at Peer
Fabulous potent paintings of those vivid memories that are seared into the synapses from times of heightened emotions.
Beautiful and terrible.
Alice Bucknell Swamp City at Hoxton 253 Project Space
Like a dollop of dream topping on a large turd the work offers up a speculative future of luxury ecotourism as investment opportunity in the face of a climate crisis that feels almost inevitable.
Charlotte Johannesson Circuit at Hollybush Gardens.
“Nature speaks in symbols and signs.”
Evolution from weave to code and back again. Beautiful works full of metaphor and shared history.
Reading – Braiding Sweetgrass Robin Wall Kimmerer; reciprocity – don’t take more than you need and always give something back.
Mercurius Patrick Harpur; no easy route to the conjunction of soul, spirit and matter.
Susan Eyre 